Review of Manthia Diawara, In Search of Africa
(Harvard University Press, 1998)
Towards the end of Eddy Harris’s Native Stranger: a Blackamerican’s Journey into the Heart of Africa, he spends two despairing weeks waiting at Lisala on the bank of the Zaire River for a steamer to take him to Kisangani. Behind him are North Africa, Franco-phone and English-speaking Africa, and a disastrous foray into the former black American colony of Liberia; behind him, too, 300-pages of mounting exasperation with the poverty, filth, incompetence and sadistic bullying he has encountered on all sides. Finally the steamer arrives and he falls with relief into conversation with Justin, an English passenger. The captain remarks on this: ‘his ancestors stole your ancestors from this place and took them to America as slaves. How can you live with them?’ Thinking back on all he has seen and experienced, Eddy Harris ‘turned to Justin and thanked him’.
It is a climax of appalling irony, to some readers an obscenity, like joking about the holocaust. How could, a black American, even temporarily deranged, how could he celebrate the slave trade as a good thing, releasing him from a ‘heart of darkness’ homeland? Yet Harris’s ‘thank you’ is not just a perversity. It finds an echo in Richard Wright’s question: ‘What does an African facing an African American see?’ It finds an echo in Manthia Diawara’s answer: ‘I see Toni Cade Bambara, I see Kamau Brathwaite, I see James Baldwin, I see Bob Marley, I see James Brown, I see C.L.R. James, I see Muhammad Ali, I see Paule Marshall, I see Malcolm X, I see Edwidge Danticat, I see Walter Mosley, I see Maryse Condé, I see myself. I am free to see a human being, a person, an individual’.
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