Singing Bass

singing_bass

by Landeg White
Parthian Press 2009

Revealing what it means to settle and age in a foreign country, this collection explores Portugal through the eyes of a Welsh poet. Poems that are versatile in form, sensuous in language, and cosmopolitan in range renew poetry’s most classic themes – love, language, anger, and mortality. Musical and passionate, this is a vividly written celebration of Portuguese culture.

On Saints’ days, July and August,
in these towns huddled along the Atlantic coast,

fishermens’ wives before the sun is up
flock to the tiny chapel on the cliff top

and receive from the priest the waist-high image
of Our Lady of a Safe Voyage,

processing with her to the harbour
where their men have already appointed the honour

whose vessel Nossa Senhora will pilot
that day as the familial inshore fleet

rounds the breakwater and puts to sea.
There’s never much trawling done that day,

just enough for a sea-fresh caldeirada
washed down by a good red from Bairrada

They show Our Lady their fishing grounds
where Ricardo and young Hélio drowned,

where the currents are worst on a rising tide,
and the choicest crayfish and octopus hide,

where they lay their nets in a half-mile arc
for tuna, and three kinds of shark,

or risk all, casting in the shoals,
chasing the mackerel or sardine schools.

They don’t leave off till they’re content
She’s taken on board all that’s meant

by men’s work – not like the priest
their wives are wed to, that holy ghost!

At dusk, still steered by Nossa Senhora,
the little trawlers head for harbour,

each brightly lit from prow to stern
with multi-coloured bulbs and lanterns

a rich necklace, shimmering in the bay,
then dividing, each boat to her buoy.

On the breakwater and along the promenade
and the jetty, waiting to applaud,

are mega-families of market traders,
clerks, shoe-shine boys and waiters,

the old remembering days at sea,
the toddlers in Catholic finery.

lawyers, cooks, teachers, receptionists,
policemen, farmers, and footloose tourists.

Wives greet the fishermen on the strand
blessing the image from their hands,

and restore her to her chapel niche
until next Our Lady’s inclined to fish.

(Matters like these I record in doggerel
to keep disbelief alive and well.)

I’ll do it so love confers life,
painting its thousand delicate mysteries,

its blank rages, its heart-felt sighs,
it foolhardy courage, its remote grief.

But in writing of the highborn disdain
of your tender and fastidious eyes,
I’m content to play the lesser part.

For to sing of your face, a composition
in itself sublime and marvelous,
I lack knowledge, Lady; and wit and art.

from “Singing Bass” by Landeg White


Reviews

Singing Bass is Landeg White’s eighth collection of poems, and it shows the author in fine form, tackling subjects such as love, anger and mortality with an immediacy and veracity that are heart warming. Expansive and internationalist in outlook, these are sensual snippets of linguistic skill that draw the reader in and make you look again at the world with fresh eyes, like all good poetry should.”

Doug Johnstone, The Big Issue


Read More

Power and the Praise Poem

power_praise_poem

by Landeg White and Leroy Vail
James Curry Publishers 1992

Highly regarded for their interdisciplinary approach to the history of central and southern Africa, Leroy Vail and Landeg White now provide us with a thorough study of the political role of the poet in the oral societies of southern Africa.

Reviews

“For example, the continuity that binds the oral tradition to modern expression in African literature has been convincingly demonstrated by Leroy Vail and Landeg White in their study Power and the Praise Poem (1991), a study that has the special merit of indicating the possibility of arriving at a unified vision of the entire field of African literature by proceeding from structural analysis of formal features to the conventions they enjoin and the apprehension of the world they entail.”

F. Abiola Irele and Simon Gikandi
The Cambridge History of African and Caribbean Literature


Read More

Oral Poetry from Africa

oral_poetry_africa

Compiled by Jack Mapanje and Landeg White
Longman 1984

The poems from this collection can now be found through the website – AfricanPoems.net

This anthology introduces to secondary and college students a selection of the marvellous and varied oral poetry from Africa. The poems in this collection illustrate the vitality and immediacy of oral literature, and there are numerous examples of modern poems, reflecting the fact that oral poetry is very much alive in Africa today.

Oral Poetry from Africa contains poems and songs which comment upon the whole range of human experience; poems of praise and celebration; poems to amuse and entertain; poems of love and of loss; work songs and protest songs. Here are poems which above all will be enjoyed.

Reviews

“This anthology, freshly bathed, towelled and wrapped in new linen, is a delight to explore. The student and the discerning general reader will find this amazing collection informative, pleasing and startling … I cannot fully express the liveliness of these poems, their immediacy, topicality, their direct reference to events and people … The appearance of this book on the African Literature shelves is indeed my first pleasant surprise from what I thought was to be Orwell’s 1984”

Dambudzo Marechera

Read More

V.S. Naipaul

v.s.naipual

by Landeg White
Macmillan Press 1975

V.S. Naipaul is a controversial writer, blamed by West Indian critics for racial arrogance and by their English counterparts for contenting himself with being charming. He produces a book almost every year yet his favourite words are ‘absurdity’ and ‘exhaustion’. He has created a range of characters of Dickensian memorability yet he admits to a constant struggle against contempt. His technical accomplishment and elegance of style are unquestioned yet he is often visibly at odds with the novel form. He re-creates his background in infectiously loving detail yet he ends every book with a celebration of escape.

This book attempts to resolve such contradictions by examining his development as a writer. Drawing on a knowledge of Naipaul’s Trinidad background, and revealing much about his sources, the author offers us a coherent picture of one of our most fascinating novelists.

Reviews

“ … a fine piece of work, much superior to the other two studies which have been published. White’s book is well-written and well-organised, its analyses are consistently perceptive and its judgements consistently sensible.”

Critical Quarterly

Read More

Mau

mau

Including poetry by Landeg White, Jack Mapanje and others
First published 1971
This book is now available as a free download (PDF).

Download for Free!

Mau: 39 Poems from Malawi was published by the Writers Group at the University of Malawi in July 1971.

Under Dr Banda’s dictatorship with its absurdly stupid system of censorship, the pamphlet was a breakthrough and quickly became a best-seller among readers who had no difficulty de-coding its message.

From Josephine Kaphiwiyo’s Who wouldn’t want to strangle the red rooster (Malawi’s symbol) to Jack Mapanje’s daughters (Dr Banda’s dancing women) writhing to babble-idea-men-masks, to Henry Newa’s portrayal of special branch policemen in his poem The Lion, the frustration and hostility of these student writers was detectable.

Of the poets included, Innocent Banda, Frank Chipasula, David Kerr, Jack Mapanje, Lupenga Mphande, and Landeg White all subsequently published volumes of their own.

Read More